NO BLOOD STAINED THE WATTLE
This series uses the violence which occurred during British colonisation of Tasmania (lutruwita) as a backdrop to reflect upon the mythical telling of Australian colonial history.
The island state of Tasmania (lutruwita) was home to Indigenous Tasmanians for over 40,000 years. These societies were irrevocably shattered by the conflicts of the frontier war following the British invasion in 1803. The following conflicts and eventual war (called the Black war) which ensued was a small guerrilla war but of massive proportions for both sides of the conflict with the death per capita for Aboriginals and First Settlers alike higher than in any other war in the history of Australia (even those fought abroad).
This work focuses on the sites of violence throughout Tasmania to examine the notion of deliberate historical ‘forgetting’. The images acknowledge the conflict which occurred and uses portraits of Tasmanian Aboriginals whose bloodlines stretch back to the time of the frontier war, to reflect on injustice, loss and national silencing. The series considers how Australia’s collective national identity has been influenced and informed by a manipulated version of history.
The physical photographic films are painted with ochre and then scratched and manipulated with various tools found in Tasmania, to uncover diverse truths and perspectives of the past.
Through the overlaying of historical paintings, and scratching and re-working this series reflects the distortion and silencing of the past, and by the constant degradation of the painted ochre on the surface of the film, which is continually changing and evolving, attempts to reflect our own reckoning with the injustice of history.
Published by The Guardian: https://www.theguardian.com/artanddesign/2019/jun/22/no-blood-stained-the-wattle-a-picture-essay